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“Y-yes, I just - !”

“Never seen a film before?” he teased

“N-not like that, no”

“Fair enough,” he conceded

“I-is this yourto say

“Yeah, Film Studies I mean This is a requirement I’m honestly most interested in the French New Wave but that’s not available until the second year”

“You look older,” I blurted, “sorry”

“It’s okay, as well as true It took a while before I really knehat I wanted to do, so I applied as a mature student I’m twenty before you have to ask”

“I’ to remember my name

“Augustus,” he replied, taking my hand

“Like the emperor?”

“So like that”

He looked atto see into s of bothhe would like what he saw

“You seemed a bit overwhelmed,” he said

“I was,” I admitted

“Can give you my notes if you -”

“Yes, please!” I enthused, way too quickly

Without a word, he got out a little hardcover notepad and a gel pen from the pocket of his dress shirt With swift, smooththe page and giving it to ic trickChapter Four - AugustusThe keyboard rattled like aacross the white screen I was never really taught how to type It was just one of those things that I picked up ‘The knack’ as my other brother Mick liked to call it

Apparently the knack was strong with me because there were ti or just typing gobbledigook toly do two things at once Talents which made fil outit Hoiven film’s runtime

I was teround, particularly for the silenta major factor in a film’s construction, particularly in terer and Richard Kern counted near the top It was impossible for me to pick between the two