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VoluhtNovelCafe
Editor: Isleidir
The 3rd act shohat quintessential stage effects really are The war between 5 New York fa business before thee of citizens on the street, avoiding the terror of this as shown via video and their e created a perfect balance
It was to the point where the audience could think that the actors spenttheir songs
Shots fro automatic rifle surpassed sound effects and h a new percussion instruument between family executives surpassed Mozart’s techniques to provide a chorus of coed peace talks between New York’s 5 families, which resulted in the end of the war
The 3rd act, which was the shortest, was trying to end the long journey with one person’s death
The i, iram, looked like an apparition to the audience and 64 year old Vito Corleone chased that apparition around while laughing joyfully
However, he soon grabbed at the left side of his chest and ca his last song full of sorrow
Oh, Lord!
A life full of sin is dying!
Oh, my trust and hope
All of this was just a drea faith
All of it was a waste!
Happiness and all pain will disappear
The toer water this wilting flower
And only the cross on this bell tower is looking at ive me
Look down onto show that the opera’s last song is the last song of his life, Dario Argento sang passionately with all of his strength
It seeot lost in es
Jun Hyuk followed this shaking tee, and led the orchestra
It is exactly 5 ento are La Fin (The End)
The two people on and below the stage did their best
And 5dohts went out
It felt like darkness and silence would press on ‘La Scala’ forever
The sloering of the heavy curtain notified the end of the perfore, Jun Hyuk came down from the podium and quietly left first, while the orchestrasound of theexploded
And their faces are wet
If possible, operas are often enificent reatest e in sadness
The audience can only hold on to a sad sorrow instead of intense e that sadness
Castcurtain call, entering the stage one by one, and Dario Argento entered last
The audience’s cheering grew louder and a new cry was added in
“Bravo! Don Argento! Bravo!”
Argento was a perfect big boss to the Italians in the audience It was the success story of a young irant from Sicily who came to dominate New York His death was natural, but it is a pity that there is still business to complete
And the audience is not stupid They are people who love the opera
They realized that Dario Argento had handled an immense amount of practice in order to express a perfect Vito Corleone, and had purposefully h
They do not kno uess that this is the last tiant voice with Vito Corleone’s end
It is because that roughly transforento’s other roles