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Editor: Isleidir
Don Ciccio, I ask you in tears
As the Lord did Magdalena, have pity on us
I a child smaller than an olive
Please protect your noble honor
And protect a young child’s life
Please tell me
That you will save
Such a miserable mother and son
A mother’s cry to save her son, filled the theater A few e out their handkerchiefs to wipe away their tears
Laura’s song ended and the 2nd aria’s music flowed out Don Ciccio stood up without a word and turned his back to her
His turning his back indicates his cruel intention to ignore the mother’s earnest wish and kill her other son
When the tune went up an octave and expressed urgency, Vito Corleone’s er out from her chest and pointed it at Don Ciccio’s neck
The orchestra hit the bass with the love, anger, and despair of ato save her son That moment of passion and the orchestra, that felt like it was s, were used as a foothold and another of Laura’s arias began
Oh Lord, I a
Who killed my husband and son
When I think of the pain he has caused er facingthat expresses the feeling of being at a crossroads for choice A song is a better ue is
Another of Laura’s emotional arias came to an end, and the audience could not suppress their sentiments and exploded in applause This is the moment where the actress and conductor need to match up
They cannot make it seem like the flow has been cut off by the sound of the audience clapping Laura took a glance at Jun Hyuk’s baton, and let out a big cry when the baton
“Corsa (run) Vito Corsa!”
The sound of a child running caain The stage grew darker as Laura clutched her chest and collapsed, and Ciccio’s underlings yelled after Vito
The stage did not brighten because of the lights The lights on the screens taking up the 3 sides of the stage came on, and the scenery of New York in the 1910s filled the screens
People walking quickly, a street with horse carriages and cars It is a New York street where gentlerants with i Vito Corleone escaped Ciccio’s bright eyes to New York, and had beco at infant Michael Corleone lovingly, and his wife Car solos and duets for 15in poverty, but they endure it with their love for each other and scrape by, drawing out the ih the overall dark atht out the thes
With young passion
My heart is burning like fire
What gave me comfort
Was only the smile of love!
From the day he whispered
In my ear that he loves me,
The moments I am with you
Are like heaven
I live in heaven
Thisin heaven
When his wife Carly sickly husband Vito Corleone sang At that moment, low exclamations of pity ca first-class tenors but his voice did not have strength, technique, or high-frequency
It is just a rather soft lyricism He showed that he is just so without power or ht on reat love
A wave of great love
Caive you happiness
And take the pain and sadness myself
Their duet continued without rest The orchestra acco with the faithful lyrics and songs
My happy days
Are all because of you
Everything is empty without you
The joy of love disappears in a moment,
Flowers bloom beautifully,
When the reat happiness
While our lives are burning
The beautiful h to take over people’s souls and whispered to the audience, a love full of gentleness and affection
As soon as the opera began, Laura’s tragic aria flowed out and the beautiful serenade of love continued to flow out as a duet, and the audience was already e
Vito Corleone became unemployed because of Don Fanucci, the area’s boss He met Peter Clemenza by chance after that, and went into the dark path with Salvatore Tessio
The cello and contrabass played with a heavy and sole, there was the violin’s somehow nervous and chopped accoh foreshadowing Vito’s future in which he cannot live normally under the sun, the tenor and baritone in the orchestra’s sad ed within hts An empty house robbed from the street, a coffee shop in a New York alley appeared and disappeared
The background switched so quickly that it was difficult to deter an opera or ahow the sound effects, orchestra, and singers le error