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After he lowered he acknowledged that we lent hi I rey, the people,” how everything had felt right
I’ve been both the one benefiting fro others send It just depends on relative experience and the moment
Cli aren’t dissimilar in that the value in both is inherently noncoet by on the expertise we’ve accuh pain and effort and mistakes In both it’s the act itself that , for the sake of the motion itself
Soht and build Souidance from those who’ve already traversed the sah crux sequences and found their way to safety
Both activities are asynchronous toand writing become the medicine that allow us to function, rather than the ifted can sustain themselves on such acts
The best ardless They lend belief when none is in sight, when self-generation of such confidence is difficult to near impossible
It’s clear whento stake claih association, thesesuch in return They’re givers
In certain cli areas, technical ones like Jackson Falls, where sections are blank of holds, moves can feel ihtly Once you reconsider your body position, the place for, what you consider a hold, suddenly the move can feel effortless
Essayists have ether shredded narratives can feel like an act of desperation As we exa in the pressure to convert carbon to diamonds
In working an essay I feel the moves out as I would a climb Hips in, or hips out? Body square to the wall, or body crouched do? It’s theaware of parts of your body you didn’t know existed, or alternatively, parts of your
You can only climb or write hard when you’ve put fear and panic at the consequences of failing aside As you focus instead on discovering what’s required to succeed—the s
A typical cliht be two days on, one day off; two days on, two days off After a feeeks, cli can cross from a joyous activity to a monotonous one Physical and mental exhaustion accumulate After a feeeks, those rest days can beco It’s the disruption of tiress, both in physical exercise, where super-compensation dictates that we beco, where our desires to communicate hop-step beyond our technical skills
Support fro is fundamentally a solitary task—one both publicly performed and privately practiced Away froorates is that rediscovery of pleasure for its own sake No one can take away the hard-earned wisdo past doubt There’s no substitute for that feeling The reward is in finding new pathways, as we expand our visions of possibility
Just as in cli to work It’s obvious when you’re flailing, when you’re hoping hope will be enough It rarely is Si to land the move, you know it
When soaring, both feel the sah technique, after letting go of self-consciousness—when the motion becomes instinct When no one else’s voiceto quietness, to oneself