Page 192 (2/2)

He does notskills, and does not hesitate toand sound that he wants coium National Orchestra is not at the level to reach his ai

The relaxed state he had shown until now had disappeared They started tightening their grips on the orchestra as though two conductors in coh their es

“Tempo! Faster Marcato! Break up each sound by the bow’spass You’re et this feeling Again!”

“Calando! (th slower and weaker) Sht be disconnected The intellectual pleasure Beethoven feels as he keeps learning new culture That pleasure is continued endlessly Again!”

“Fortissi out a more vehement sound The audience already shows a crazy reaction with the first drum sounds of a rock band The ti the audience’s hearts As soon as the tis out, the brass instruments need to follow and hit the audience’s ears”

“Voce Piena! (full of sound) You cannot lose dignity It is not the sound of the tih it is a wave froance for even a ood, but his ance itself”

“Don’t think about the piano or violin ensembles I’ll control them You should all just follow the baton The soloists need to be pulled in by our stor theht that we’ll toss anyone who falls behind”

“You need to think about the piano and violin ense in the 2nd ht now Playher child”

The o out of theiroff every day to play completely opposite perfor back and forth switching 2 buttons on and off One is ‘veheance’

No one expressed their discontent though An instrus out the sound that the perfores They have pride that they are an already coe luxurious instru down the moment they voice their complaints The only time they can complain is when they meet a performer who cannot handle the orchestra as an instru them now are two excellent conductors, maestros

It was a bit later than Pierre Boulez had been expecting, but the orchestra became used to the switch in the new year, at the end of January It was as though the twoseparate orchestras

“What do you think, Jun? Has the orchestra gotten used to your conducting?”

“Yes I’otten used to you as well, Maestro”

Pierre Boulez smiled in satisfaction He had overheard the orchestrathat they could feel a clear distinction between a hot-blooded youth and a relaxed elderly

Since it is his orchestra that has overcome this difference, he even felt proud of the I’m concerned about… Isn’t this a competition and not a concert? Do you think it’ll be okay when the judges need to evaluate the violin and piano finalists?”

“Isn’t that so those people need to do? There’s no reason for us to worry about it And effort, skill, and talent are bound to show thee if he can catch thosetoo much about the co the situation

“It’ll actually be a bit difficult to judge I’es’ uncoiu the co paired with a conductor who fits their style will beco”