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“Hey Jun, I told you to callto lared at Jun Hyuk and shook his finger at hiht Patrick Then ere the breaks for members like in Vienna? Did they take their breaks on tiht question? That’s scary Ha ha”
There is bitterness in his laughter
“There were more breaks as time went by They never missed a break since we started Inferno They even nal that they cannot do it while I kept pushing it on them”
On the one hand, it is understandable The Vienna Philharmonic’s roots are as an orchestra of Vienna’s court opera theater Its unique color is that it focuses on tradition and is against s of the past is not stubbornness Their thinking is that the Vienna Philhar contemporary music Their sense of duty to enrich the classics is o to the theater I’ your rehearsal Ha ha”
All of the orchestraTheir looks did not show any tension and were just full of curiosity
Patrick Quinn had repeatedly said that he is a genius, but the only exposed fact is that he is the composer of Inferno Other than that, his claims to fame are not in classical but in jazz and rock There are a lot of geniuses who leave 1 good song and disappear
Jun Hyuk took in all of this attention and went up to the podium He left the baton on the music stand and spoke,
“Honestly, I cannot understand why this song causes pain It is notpain to anyone My intentions for writing it… Well I think I just et himself to say that he had written the specific , though I don’t know if it’ll be helpful in perforet used to pain Even if you feel the same pain repeatedly, the power of that pain reood in its repetition”
Everyone listened to Jun Hyuk’s words about his story rather than the th to withstand the pain”
“Maestro We have never thought that we’d be able to play this song just by enduring the pain Isn’t there no point in playing it e can’t express it?”
Matthew Price is a performer before he is the concertmaster The success of the performance and the record are important, but he is more focused on the desire to express ht But don’t you think we need to do at least that much? I ran a bit in the Commons yesterday I didn’t run to run well It was in accordance with Maestro Kazel’s warning that I need to have the stahs with both of his hands and laughed
“Enduring is also a basic fitness to playing Inferno perfectly”
However, theat hi auto the basic fitness, ould not have suffered so much”
One of the
Jun Hyuk put his hand up, calmed the ht There’s no way that it’ll be enough As I told you, the basic fitness is just the first step”
“Then what’s the second step?”
Concertmaster Matthew Price did not pay attention to the , and looked only at Jun Hyuk
“The second step is pretty easy But as you said concertmaster, there is still the problem of expression”
“I’m sure you’ll be able to tell us in detail?”
“Yes You’ll playthe notes exactly as they’re on the score like a machine – that’s the second step”
“Well well We always play exactly”
Matthew Price see that the second step he had been anticipating was so They are the Boston Philharmonic, a famous orchestra in the US They are confident that they play all songs with more exactness than machines do
But Jun Hyuk shook his head and spoke clearly,
“No What do you mean the Boston Sy like people With abundant emotions”
“It means we follow theout that emotion”
Matthew Price who had seeathered here to hear aboutthe basic of basics?
“Whew – How do I explain this…”
Jun Hyuk had an uncomfortable expression on his face He needs to show them the precise difference between an ‘exact performance’ and a ‘mechanical perfore, Patrick Quinn and Chairman Mark Boff watched their conversation with interest
“Maestro Do you understand what that young conductor is saying?”
“Yes He said that the second step is easy, but it is actually the more difficult method”
“It’s more difficult?”
“Yes It’s not easy for people to play a song while taking out emotions completely And isn’t it music? Music hter while looking at Mark Boff as still lost in puzzlement